It is an important book. Not just for broadening one’s horizons, but also as a historical document. This book was (and still is) very important to the canon of queer and trans literature. For that reason alone, it should be read by anyone who wants a decent working knowledge of queer/trans history.
As is common in the genre of romance (and in YA) there is not a lot of character development but there is a fair bit of personal drama and angst. And while the characters are interesting and their fashion senses are extremely on point, I will say that I wanted more.
I would recommend it to anyone who wants a ghost story fairy tale about magical woods and literary levels of how society treats outsiders. It isn’t overly spooky, but the prose is beautiful, the magic was folkloreesque, the ending satisfying, and bonus… a lesbian couple!
If the description of “beautifully written queer retelling of a classic but feminist and from a reimagined and now nonwhite side character” piques your interest, I think you will definitely enjoy this book.
Short story collections tend to be a mix of protagonists and situations that sometimes center around a theme. Such is the case of Rainbow, Rainbow by Lydia Conklin. Her theme is broad “the lesser-known stories of the LGBTQIA experience” and she does a masterful job of telling these stories with gut-wrenching prose.
Book Of The Month recommended it to me with the tagline “This novel has the perfect molecular structure: a charming protagonist, humor, a lovable dog, and feminist bonafides.” And… yes. 1000% yes.
I don’t like pilots. But… Vampire. Monster (Vampire) Hunter. Starcrossed Lovers. And… HELLA GAY?
Well ok. I’m in.
A feminist retelling of the Arthurian legend from the Elaine (Elaine the Mad or The Lady of Shalott) this book is dark, beautiful, surprising, and wonderful.
Ana is a feminist in the first century who wants to be a voice not just for herself but for all the women whose stories are forgotten, ignored, or hidden. Her struggle between society expectations vs what she longed to do with her life… felt very familiar.
An ambitious story about a remarkable heroine told in the language and style of earlier American “classic” literature that challenges our assumptions while carving out a well-deserved place in the modern canon of feminist and historical literature. I just wish it has been granted the freedom of its subtitle.